If you want to get the feel for it, there are 3 categories of lights: monoblocks, hot-shoe strobes, and continuous lights. I don’t think there is a point in writing down a list. I would just be endless and boring. Me re-painting my cyclorama on the right) (Set.a.Light render with a gorgeous model on the left. There is a bonus in going software, you never need to re-paint your cyclorama. Then you can add paper backgrounds (or a cyclorama), set colors for walls, floor, and ceiling and you’re ready to go. The first thing you would like to adjust is obviously the size of your room.
It will look exactly the way you want it to look. It means that we don’t need to spend time testing, and have a great setup to start with. This is when the simulation is critical for both me and the model. If you ever tried a color-intense shoot you know that colorized light is hard to control and it mixes in an annoying and unpredictable way. Yes, you can gel the lights, which is extremely helpful in my opinion.
That’s pretty insane, isn’t it? I want to share the setup in Set.a.Light as well: If you want a taste of how good the engine is, let me share an image that was planned with Set.a.Light (left) compared to the real shot (right): Now get rid of all the violence and blood and you get a very good light rendering engine. If you’ve seen any of the latest computer games, you know what I am talking about. Set.a.Light 3D utilizes a gaming engine to calculate the light. This is where Set.a.Light really shines (no pun intended). OK, direct lights are easy, but lights and colors and reflections and shadows and bounces are pretty complex and are hard to pre-imagine. That sounds pretty easy to implement, but the way Set.aLight 3D renders light is incredibly close to how light “moves” in real life. You can invite virtual models, place virtual lights and virtual studio tools as well as virtual gadgets. The simulation is available for both Mac and PC, and it offers a virtual photography studio. Let’s just try to put it in simple words.
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